Building Brands and Brand Nations. Demystifying SEO, Part 1.

At first glance, the mysteries of Search Engine Optimization (SEO) seem insurmountable—so much so that it’s proven a gold mine for those who choose to call themselves social media consultants.

But there’s an easy way to think about SEO. Search Engine Optimization simply helps your prospects find you so that you can be part of their consideration set.

When a person makes an inquiry for your product category, you want to be found. You want to be ready with expert information and guidance when they’re in the mood to buy.

Fortunately Google’s search engine algorithms are constantly being refined to enable their users to find the most valuable and relevant content. This means that having valuable content on your website is the most important element in developing effective SEO.

Content is king. Effective SEO will follow naturally if you’re honestly thinking of your customer first, and it’s clear you care that they have all the information they need to make a fair market decision.

In part 2, we’ll talk more about SEO. But soon we’ll realize SEO only goes so far. Once your prospects find you, how do you become memorable? How do you stand out from the stiff competition on the web? That’s the difference between Branding and SEO, and it’s why we need both.

 

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Places that inspire. Trapper’s Lodge and it’s stony inhabitants.

Beginning in 1951, John Ehn created haunting pioneer portraits for his Old Trapper’s Lodge that once stood near the old Burbank airport.

John Ehn’s cement and paint pioneers are politically incorrect, sometimes violent, always full of wit and more than a little creepy.

Peg Leg Smith and Big Bear are in battle in this life size cement sculpture.Peg Leg Smith plunges a knife into Big Bear's cement side.

Anguish on the face of Big Bear. A fight ensues. John Ehn's Trapper's Lodge.The Old Trapper's travels drawn on slate and placed into the ground.Gravestones on Boot Hill. John Ehn's Trapper's Lodge, Burbank. CA.

Iron Foot Ella's gravestone. John Ehn's Trapper's Lodge.

A close up of a female figure. John Ehn's Trapper's Lodge.A close up of a blonde saloon girl. John Ehn's Trapper's Lodge.A saloon girl in cement and paint. John Ehn's Trapper's Lodge, Burbank. CA.The saloon girl in detail. John Ehn's Trapper's Lodge.This cement and paint saloon girl has a derringer strapped to her thigh.A close up of Lonesome George at John Ehn's Trapper's Lodge.A black and white photo of John Ehn's sculptures at the original Trapper's Lodge, Burbank. CA.Like S.P. Dinsmoor’s Garden Of Eden in Lucas, Kansas (I might get to those photos soon), John Ehn populated his story-filled setting with lively and foreboding pioneer spirits—complete with their own ominous Boot Hill epitaphs.

Three years after the self-taught artist’s death in 1981, they’d been designated a state cultural landmark, but that was no assurance that they would be protected from city development.  An airport expansion soon threatened them and they were miraculously moved out of harm’s way to a grotto 26 minutes away behind the stables at Pierce College in Woodland Hills, just a half hour west of Hollywood on Highway 101 and where they can be seen today.

There are easily more than 50 pieces, and some of the cement inhabitants are on fully decorated and very heavy bases. No one seems to know who undertook the arduous task of moving these heavy characters, or even who maintains them to this day.

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Building Brands and Brand Nations. What’s your first sentence?

Has there ever been a book you couldn’t put down?

It’s a great transformative moment when a story captures our imagination so much so that we willingly allow ourselves to be taken on a grand, new adventure. We become invested. We enter the author’s world full of anticipation.

There are books that we immediately become absorbed in. Others we forget quickly. What causes us to become absorbed in a book rather than abandon it?

In his recent book, How to Write a Sentence, and How to Read One, Stanley Fish suggests one reason is a great first sentence.

Think of your brand message as the first sentence in your book.

It should be absorbing. It should be promising. It should convince your prospect to press on further.

Your brand message is the inspiring idea that gives your prospect a sense of what they will experience. It captures the essence of your brand, and as Stanley Fish describes, it gives it “lean”.

Your brand message gives your customers a way to think about your product in a different way. It tells your story. It gives your story promise for what is to come.

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Building Brand Nations with Social Media. Principle #2.

When I saw this, I thought of you.”

I try to use this phrase as a guide when I’m creating social media posts.
If I can honestly preface my post with this phrase, I feel I just might have created a post of some value.

Social Media is simply about conversation and creating community.
It’s generous. It encourages sharing thoughts and an openness in communication.

When you’re thinking about what to post in your Facebook, LinkedIn, Twitter or blog, think about what posts you’ve found valuable. Ask yourself what kind of information you’ve found helpful and appealing.

Valuable information is generous and thoughtful.
It has a clear point of view.
It respects the viewer’s time by being concise and getting on with it.
It is provocative. It offers insights that makes one think about the topic in more interesting ways.
It encourages dialog, interaction and comments.

“Here’s something I thought you might be interested in.”
Be thoughtful, selfless and other-directed.
Create conversation. Comment. Re-tweet. Share links. Share others’ great ideas. Give them credit for those ideas.

And just what is the secret behind social media that is generous?
Your interest in others will create interest in you.

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Building Brand Nations with Social Media. Principle #1.

Sharing is good.

That’s it. I’ve tipped my hand. Sharing is good. It’s the basic principle of social media. And it’s a powerful one.

It’s the best way to think about the daunting topic of social media—a topic that some make more complicated than it needs to be.

There’s no voodoo or snake oil here, though I wish no ill will to those who mystify social media with customized SEO services, “tweet-ups”, and charge a premium for consultation services.

When it’s done well, social media is selfless and generous. It’s about helping people be their best, whether it’s guiding friends to an interesting story, or a new idea in a TED talk or launching a dream project with Kickstarter.

After all is said and done, it’s all based on the principle of sharing.

And sharing is good.

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Building Brands and Brand Nations: Falling in love. Part 1.

LoveMarks, by Kevin RobertsYou’ll never argue yourself into someone’s heart.

Intellectual arguments alone have rarely proven to be compelling communication strategy. Relying on them can be a complacent and (dare I say) lazy and ineffective tactic.

Now more than ever, you must create a brand that people can love.

That’s the powerful message of Lovemarks, The Future Beyond Brands and The  Lovemarks’ Effect, two books by Kevin Roberts CEO of Worldwide Saatchi and Saatchi. The first book appeared ten years ago and its’ principles have proven a relevant as ever. Lovemarks has become a website, a phenomenon, and a brand nation itself.

It’s about transforming a brand into something consumers love.
And that’s exactly how you build brand nations.

To do this, you must capture your customers imagination. You must engage your customer’s right brain with your brand. It’s the most effective way to build your brand.
And in fact, it’s what your customer expects.

A tall order? Yes. Does it take expertise? It takes thinking in highly creative and divergent ways to make a lovemark that inspires and intersects your brand with your customer’s world.

And whether your business is large or small, it’s this kind of creative thinking that will be your business’s true marketing advantage.

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Building Brands and Brand Nations: Becoming Believable. Part 2

The first part of this series is about the importance of your customer’s beliefs.
This second part of the series discusses the role of belief in building brand nations.

Building brands is about creating belief and meaning. Building brands is about intersecting your brand with your customer’s beliefs. You create meaning by connecting your brand with your customer’s beliefs.

Respectful intersections like these are hard to come by. We’ve all experienced hollow, exploitive and superficial messages that, while executed professionally, seem more about a company’s desperate self-interest then a sincere desire to offer true value. Like a singles’ bar come-on line, the message seems disingenuous. The message loses credibility.

On the other hand, done thoughtfully and with repsect for a customer’s beliefs, an elegant intersection between your brand and a customer’s belief can lead to effective communication that has great legs and can be translated into many mediums so that the message takes on whole new facets and creates even deeper meaning for it’s viewers.

Intersect your brand with a prospects’ belief in a respectful way. When done well with care and sensitivity this intersection can help realize your product’s true meaning and communicate it’s value respectfully to your customer. And with this, your brand becomes believable.

Becoming believable is an important aspect of building brands and brand nations for big businesses, for small businesses—for your business.

This is the second of two parts.  The first part examines how important belief and meaning is to our lives, while this second post is about what belief means to your brand.

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Building Brands and Brand Nations: Becoming Believable. Part 1

Belief systems are among our strongest motivators. For each of us, our beliefs are at the very core of our being. We are invested in them. And regardless of how flawed in logic, “It is these beliefs for which we stand”, and we convince ourselves that our beliefs—at least for the moment—are justified and rational.

Beliefs are not easily shaken. Our beliefs feel original within each of us, and although we most likely acquire our beliefs through many influencers, we feel like our beliefs have originated from deep within the core of our very being.  Because of this, it takes something pretty big to shake our beliefs, and when beliefs are shaken, it takes awhile for us to adjust.

Beliefs are like statements of policy, like our own private policies about how we wish to live—as well as how we believe others should live. We all know beliefs that have proven helpful and promote the greater good, and others that have been far more troublesome, to say the least.

Nevertheless, our beliefs define who we are. It’s how we assign meaning to our lives. And that’s why it’s so important to talk about your customers’ beliefs when building brands and brand nations.

This is the first of two parts. In part two we’ll discuss how to effectively understand and use beliefs while building brands and brand nations.

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Places that inspire: Exploring Frank Lloyd Wright in Marin, Part 2

As promised, here’s Part 2—a sampling of my photo exploration of Frank Lloyd Wright’s last commission and his only civic building—the Marin County Civic Center.

Check out Part 1 if you missed it—complete with photos of the Wright models on display.


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Places that inspire: Exploring Frank Lloyd Wright in Marin, Part 1

If you’ve ever crossed the Golden Gate Bridge on your way north, chances are you’ve passed by. On a good traffic day it’s less than half an hour away on Highway 101.

It’s the Marin County Civic Center, a sprawling, low-slung building with it’s blue roof and golden spire, set deep into the hills of Marin.

It was Frank Lloyd Wright’s last commission and his only civic building—and it’s celebrating it’s 40th anniversary this year. I’d passed by a number of times, but this time I had the presence of mind and a little extra time to stop and explore.

This post is part one. It hints at the original models and historical documents on display at the civic center that describe how the project got off the ground—and how it nearly met a terrible demise.

Watch for Part 2, a photo essay that explores more of Frank Lloyd Wright’s last commission.

Marin civic leader Vera Shultz and Frank Lloyd Wright.

An early drawing of Wright's plan for the Marin County Civic Center.

Full page campaign ad announcing the Frank Lloyd Wright-designed Civic Center.

Frank Lloyd Wright project in trouble at Marin.

Newspaper clipping, 1961: "Marin Center Foes Throw in Towel".

 

An early model from Frank Lloyd Wright's design in Marin, CA.An early model from Frank Lloyd Wright's design in Marin, CA.

A late model of the Marin Center with blue roof.

A late model of the Marin Center with blue roof.

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